Edmund Burke


Democracy is a Myth

Democracy is a myth

“Who will rule, God or Man? This is the great constitutional question of human existence”
Excerpt from Demokratin är en myt (Democracy is a Myth); or The Myth of Democracy

Swedish historian, thinker and leading representative for the Perennial school of thought, Tage Lindbom (1909-2001) wrote his critique on Western democracy in 1990. Formerly a dedicated member of the Social Democratic Party of Sweden, he grew disillusioned with the economic progress, yet spiritually and culturally empty void of Swedish society. He denounced Social Democracy in favor of a Traditionalist worldview, embraced Sufism and became a disciple of the Swiss Sufi metaphysician Frithjof Schuon. He spent the remainder of his life with writing critiques of Modernity. In his work “Democracy is a Myth“, he puts democracy under the microscope and lay forth that once Democracy raised to the status of Myth, Mythos, became the Order of Western Civilization or as he terms it: the Kingdom of Man; “Människoriket”.

The first thing is to give some context. What is Traditionalism and Modernism? First, Traditionalism is being aware of a higher, divine reality that determine the worldly, sensual reality. The other is the idea that rejects the Traditional in favor of evermore change, progress and the abolishment of hierarchies and authorities in order to create new fields of human exploitation. Simply put, Traditionalism is the idea of a cosmic equilibrium in which man lives in connection with both a vertical and horisontal existence, whereas Modernity is the idea of unrestrained human freedom and a purely horisontal worldview.

In spite of this long lasting enmity, Lindbom finds a common thread that unites both the Traditionalist and Modern worldview. While ideological, cultural and spiritual enemies, they share a common heritage of a common memory of a primordial state of Order. Both Traditionalism and Modernity acknowledges a primordial order, yet differ on the basis of whether Man or God will rule supreme. It is from this search for the primordial source that the French thinker Jean Jacques Rousseau constructs his ideas of the General will, the Social Contract and Nature being the primordial source, i.e. the Garden of Eden or Paradise Lost.

With the Fall of man, we have the rise of Liberty and Equality, the two cornerstones in human existence and the ideological frameworks for the French and Russian Revolution or Devolution. By using the Myth instead of the Ideology, Democracy is raised above time and space, beyond human wills and strivings, becoming absolute, total and ahistorically primordial. Man is made the Sovereign, indivisible and the center of everything.
The prevailing order can be summarized as the holy trinity of Modernism.
In the name of Man, Modernity and the mythical Democracy.




#21: Midvinterblot (Midwinter’s sacrifice)


Midvinterblot (Midwinter’s sacrifice), Carl Larsson, 1915

#20: Grindslanten (The gate coin)


Grindslanten (The gate coin), August Malmström, 1885

#19: Jämlikhet (Equality)


Jämlikhet I (Equality I), Markus Andersson, 2009


#18: The Wanderer above the Sea of Fog

The Wanderer above the Sea of Fog

The Wanderer above the Sea of Frog, Caspar David Friedrich, ca. 1818

The Demise of Chinese Spirituality


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I recently heard from a friend who on his travels to China met a Taoist practitioner who cried when he began to explain that there was no one left in all of China interested in Taoist practice and philosophy.

The Far East is revered for it’s deeply held spirituality, yet it is little discussed how the atheistic Neomarxism of the country coupled with its obsession over economic development has served a final death blow to indigenous Chinese spirituality. Christianity, admittedly, is spreading, but some of that is due to Chinese attempts at Westernization.

This is the side of modernism that is little discussed, but is in fact it’s core value. The sweeping, all devouring “progress”, which is simply a change in mindset from the valuation of quality to quantity. It is a move from the spiritual to the material, the infinite to the finite, the self sustaining community to the all consuming self. It is base materialism, which, like a cancer devours all that falls outside it’s narrow atomistic worldview. It is this that we, as Radical Traditionalists seek to resist.


#17: Riddaren rider (The Knight is riding)

Riddaren rider

Riddaren rider, John Bauer, 1914

#16: Saint George and the Dragon

Saint George and the Dragon, Paulo Uccello, ca. 1470

Saint George and the Dragon, Paulo Uccello, ca. 1470

#15: Huldra forsvant (The Fairy That Disappeared)

Huldra forsvant, Theodor Kittelsen, 1890-1900

Huldra forsvant, Theodor Kittelsen, 1880-1900